Williams, R. (forthcoming, under contract) Theme Park Fandom: Distinction, Immersion and Participatory Culture, Amsterdam: University of Amsterdam Press.
McElroy, R., & Noonan, C. (2019). Producing British Television Drama: Local Production in a Global Era. (Pivot). Palgrave MacMillan. DOI: 10.1057/978-1-137-57875-4
D'Arcy, G. (2018). Critical Approaches to TV and Film Set Design. Taylor & Francis.
Williams, R. (ed.) (2018) Transitions, Endings, and Resurrections in Fandom, University of Iowa Press.
McElroy, R. (ed.) (2016) Contemporary British TV Crime Drama, Ashgate.
Williams, R. (2015) Post-object Fandom: Television, Identity and Self-Narrative, London: Bloomsbury.
Perrins, D. (2019). 'The Cinema Has Two Tongues: The Cinema Cultures of Wales' . In J. Hill (Ed.), A Companion to British and Irish Cinema (pp. 510-531). (Wiley Blackwell Companions to National Cinema ). Oxford: Wiley-Blackwell.
Williams, R. (2019). “Putting the show out of its misery”: Textual endings, anti-fandom and the ‘rejection discourse'. In M. Click (Ed.), Anti-Fandom : Dislike and Hate in the Digital Age(pp. 315-322). New York, NY: New York University Press.
McElroy, R., & Noonan, C. (2018). 'Public Service Media and Digital Innovation: The Small Nation Experience'. In RIPE@2017 Reader : Public Service Media in the Networked Society (pp. 159-174). (RIPE). Oslo: Nordicom.
Russell, D. (2018). 'Narrative, Space and Autobiographical Film in the Digital Age: An Analysis of The Beaches of Agnès (2008)'. In J. Riquet, & E. Kollmann (Eds.), Spatial Modernities: Georgraphy, Narrative, Imaginaries(1st ed., pp. 208-224). London: Routledge.
Perrins, D., & Perez , M. (2018). 'The Funny Others on our Screens: Stereotype, self-loathing and resistance in the audiovisual representation of Wales and Galicia'. In X. Paya , & L. Saez (Eds.), National Identities at the Crossroads : Literature, Stage and Visual Media in the Iberian Peninsula (pp. 166- 181). London : Francis Boutle Publishers.
Williams, R. (2018). '"Fate has a habit of not letting us choose our own endings": Post-object fandom, social media and material culture at the end of Hannibal'. In P. Booth (Ed.), A Companion to Media Fandom and Fan Studies (pp. 447-460). [Chapter 28] Wiley-Blackwell.
Williams, R. (2017). 'Fan pilgrimage & tourism'. In M. Click, & S. Scott (Eds.), The Routledge Companion to Media Fandom (pp. 98-106). (Routledge Companions). London: Routledge.
Jachimiak, P. (2017). Poofs Wear Lacquer, Don't They, Eh? Quadrophenia and the Queerness of Mod Culture. In P. Thurschwell (Ed.), Quadrophenia and Mod(ern) Culture (Palgrave Studies in the History of Subcultures and Popular Music). Palgrave MacMillan.
McElroy, R. (2017), ‘The Feminization of Contemporary British Television Drama: Sally Wainwright and Red Production’. In Moseley, R., Wheatley, H. and Wood, H. (eds.) Television for Women: New Directions, Routledge.
Smith, A. and Orrillard, N. (2016) ‘Working with Actors: Learning – teaching – Learning’. In M. Mourao, S. Semerdjiev, C. Mello, & A. Taylor (eds) 21st Century Film, Television and Media School: Challenges, Clashes, Changes, Centre International de Liaison des Ecoles de Cinéma et de Télévision (CILECT).
Williams, R. and R. McElroy (2016) ‘Omnisexuality And The City: Exploring national and sexual identity in BBC Wales’ Torchwood’. In H. Osborne (ed.) Queer Wales:The History, Culture and Politics of Queer Life in Wales, Lampeter: University of Wales Press.
Williams, R. (2016) '“We live round here too”: Representing fandom and local celebrity in Pulp: A Film About Life, Death & Supermarkets'. In L. Bennett and P. Booth (ed.) Seeing Fans: Representations of Fandom in Media and Popular Culture, London: Bloomsbury Academic.
McElroy, R. (2016) 'Minor Cinema’. In C. Molloy and Y. Tzioumakis (eds.) Routledge Companion to Film and Politics, London: Routledge.
Perrins, D. (2015). 'Arcadia in Absentia: Cinema, the Great Depression and the Problem of Industrial Wales'. In H. Chignell, I. Franklin, & K. Skoog (Eds.), Regional Aesthetics: Mapping Britain (pp. 35-54). London: Palgrave. DOI: 10.1057/9781137532831.
Williams, R. (2015) ‘“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise’. In M. Duffett (ed.) Fan Identities and Practices: Dedicated to Music, London: Routledge. [Reprint of journal article].
Williams, R. (2014) ‘Neighbours’. In B. Griffen-Foley (ed.) A Companion to the Australian Media, Australian Scholarly Publishing.
Perrins, D. (2014). ‘You never knew that, that I could do that’: Bowie, video art and the search for Potsdammer Platz. In T. Cinque, C. Moore, & S. Redmond (Eds.), Enchanting David Bowie: Space/Time/Body/Memory (1st ed.). Bloomsbury Press.
McElroy, R., Nielsen, J. I., & Noonan, C. (2018). Small is beautiful? The salience of scale and power to three European cultures of TV Production. Critical Studies in Television, 13(2), 169-187. DOI: 10.1177/1749602018763566.
Williams, R. (2018). Tumblr’s GIF culture and the infinite image: Lone fandom, ruptures and ‘working through’ on a microblogging platform. Transformative Works and Cultures, 27 (Tumblr and Fandom ). DOI: 10.3983/twc.2018.1153.
McElroy, R. with Papagiannouli, C. & Wiliam, H. (2017) Broadcasting after devolution: policy and critique in the Welsh media landscape 2008–2015, International Journal of Cultural Policy, DOI 10.1080/10286632.2016.1268133v.
McElroy, R. (2017). Mediating home in an age of austerity: the values of British property television. European Journal of Cultural Studies, 20(5), 525-542. DOI: 10.1177/1367549417701758.
Cowan, P. (2017). Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor: A Case Study of Gregg Toland. Projections: The Journal for Movies and the Mind, 11(1), 16-37. DOI: 10.3167/proj.2017.110103
Mitchell, P., & Stewart, J. (2017). Who are We? Language and impartiality in BBC radio journalism. Journalism Practice, 11(4), 417-437. DOI: 10.1080/17512786.2015.1123111
Williams, R. (2016) 'No Lynch, No Peaks!’ Authorship, fan/actor campaigns and the challenges of Twin Peaks’ return Series, International Journal of TV Serial Narratives, 2 (2), pp. 55-65.
Williams, R. (2016) In Focus: Ontological security, authorship and resurrection: Exploring Twin Peaks’ social media afterlife, Cinema Journal.
McElroy, R. (2016), Guest editor and introduction, 'Television Production in Small Nations’, Journal of Popular Television 4 (1), pp.69-73.
McElroy, R. and Noonan, C. (2016), Television drama production in small nations: Mobilities in a changing ecology. Journal of Popular Television 4 (1), pp.109-127.
Williams, R. (2016) Localebrities, adopted residents, and local characters: Audience and celebrity in a small nation, Celebrity Studies. Online First.
Johnson, S. (2016). Community Radio In Wales: New Voices with a Welsh accent. 3CMedia Journal of Community Citizen's and Third Sector Media and Communication, (8), 15-28.
Cowan, P. (2015). The Democracy of Colour. Journal of Media Practice, 139-154.
Williams, R. (2014) The past isn’t dead…it’s deadly”: Horror, history and locale in ITV1’s Whitechapel, Journal of British Cinema and Television, 11 (1): 68-85.
Ben Challis, Geraint D’Arcy, Robert Dean, Richard Hand, Rob Smith & Mary Traynor (2014) 'Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience’, Studies in Theatre and Performance 34(3): 252-259.
Mitchell, P. (2014). The ethics of speech and thought representation in literary journalism. Journalism, 15(5), 533-547. . DOI: 10.1177/1464884914523092.
Carr, P., Moore, A. (2020) The Bloomsbury Handbook of Rock Music Research. Bloomsbury.
Carr, P (2017). Sting: From Northern Skies to Fields of Gold, Reaktion Books.
Carr, P (2020). ‘Rock Music Pedagogy in the UK and US: Ignorance and Elitism?’, in Paul Carr and Allan Moore (ed), The Bloomsbury Handbook of Rock Music, Bloomsbury Press, Forthcoming.
Carr P. (2018) 'Rock Music Pedagogy in the UK and US: Ignorance or Elitism'. In Bloomsbury Handbook of Rock Music Research. Bloomsbury.
Carr, P. (2016). 'An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa'. In S. Whitely, & S. Rambarran (Eds.), The Oxford Handbook of Music and Virtuality (pp. 81-94). (Oxford Handbooks). OUP Oxford.
Carr, P (2016). 'Final Thoughts on Musical Virtuality’. In S. Whitely and S. Ramarran (Eds), The Oxford Handbook of Music and Virtuality, The Oxford Handbook of Music and Virtuality (pp. 613–625). (Oxford Handbooks). OUP Oxford.
Smith, R. (2015). 'Wonderbrass' as a South Wales Community Jazz Collective. In T. Whyton, & N. Gebhardt (Eds.), The Cultural Politics of Jazz Collectives: This Is Our Music (Transnational Studies in Jazz) (pp. 157-176). [Chapter 9] (Transnational studies in Jazz). London and Chicago: Routledge.
Carr, P, Challis, B (2015). ‘Quand l’impossible devient réel : typologie des boucles, impact de l’immédiat et de l’hypermédia sur la pop music’ (‘The Impossible Made Real: A Typology of Loops and an exploration of the impact of immediacy and hypermediacy in Popular Music’). Book Chapter in in Livo Bettoi, Michel Delville, Chrostophe Levaux, Christophe Pirenne, Bouchle et Repetition: musique, literature, arts visuels. Collection Clinamen, pp. 85-102 (in French).
Carr, P (2014). ‘The Big Note, Xenochrony and all Things Contextual. In P. Nearchos et al. (eds), Proceedings of the International Conference on Music Semiotics: In Memory of Raymond Monelle, The University of Edinburgh, pp. 455-463. ISBN: 978-0-9576548-0-8
Carr,P (2014). ‘Zappanale: My Kind of Music Festival’. In Dieter Jakob, Robert Riedt, Bukhard Schempp (eds), We Are the Other People: 25 Years of Zappanale, Wehrhahn Verlag, pp. 280-283.
Carr, P. (2014). The Live Music Industry in Wales: the Sustainability and Working Practices of a Nation . In R. Findlay, & V. Sarafian (Eds.), L'état de l'industrie musicale (The State of the Music Industry)(pp. 201-220). Toulouse: Presses de l'université de Toulouse.
Carr, P (2020). ‘The Lost and Found Musical History of Merthyr Tydfil’, Popular Music History Special Edition, edited by Paul Carr.
Carr, P (2018) ‘International Best Practice in Music Performance Education Models and Associated Learning Outcomes for Wales', Welsh Government.
Carr, P, Dennis, R, Hand, R (2014). Dancing With Inter-disciplinarity: Strategies and Practices in HE Dance, Drama And Music, The Higher Education Academy.
Crews, S. and Solomon Lennox, P. (2020) Boxing and Performance: Memetic Hauntings. Oxon: Routledge.
Williams, S. M. (2020) Theatr y Gymraes: Byth Rhy Hwyr, Mefus, Mab. Cardiff: Honno.
Lewis, L. (2018) Performing Wales: People, Memory and Place. Cardiff: University of Wales Press.
Papagiannouli, C. (2016) Political Cyberformance: The Etheatre Project, Basingstoke: Palgrave Macmillan.
Smith, A. and Reynolds, J. (eds.) (2016) Howard Barker’s Theatre: Wrestling With Catastrophe, London: Methuen, June 2015. Shortlisted for the Theatre Society Book of the Year, 2016.
Underwood-Lee, E. (with Lena Simic) (2016) Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal London: Live Art Development Agency, London: LADA.
Minier, M. (with Pennacchia, M.) (2014) Adaptation, Intermediality and the British Celebrity Biopic, Farnham: Ashgate.
Gough, R., & Arias, L. (2019). 'Rain (Rain, Rein, Reign) in Theatre: In Dialogue with Lola Arias'. In J. Graham-Jones (Ed.), Lola Arias: Re-Enacting Life (pp. 308-330). Aberystwyth, Wales, UK: Performance Research Books.
Underwood-Lee, E., Šimić, L., & Epp Buller, R. (2019). 'The Body in Letters: Once Again, Through Time and Space'. In R. Epp Buller, & C. Reeve (Eds.), Inappropriate Bodies: Art, Design, and Maternity. Bradford (CA): Demeter.
Underwood-Lee, E., & Šimić, L. (2018). ‘Returning to Ourselves: Medea/Mothers’. In E. Marchevska, & V. Walkerdine (Eds.), Maternal Structures in Art: Intergenerational Discussions on Motherhood and Creative Work. Taylor and Francis Ltd.
Underwood-Lee, E. (2018). 'Blooming flowers and stony stares: negotiating identity through story'. In C. Willison (Ed.), All the better to Hear You With: An Introduction to Storytelling. Stroud: The History Press.
Papagiannouli, C. (2017), 'Internet, Theatre and the Public Voice'. In A. Breed & T. Prentki (eds), Performance and Civic Engagement. Palgrave MacMillan, pp. 187-203. DOI: 10.1007/978-3-319-66517-7_11.
Sobol, D.J. & Zalka, C.V. (2017) 'Storytelling (Fairy Tales in Contemporary American and European Storytelling Performance)'. in P Greenhill, JT Rudy, N Hamer & L Bosc (eds), The Routledge Companion to Media and Fairy-Tale Cultures. 5031-1498-PV-068.indd, Routledge Media and Cultural Studies Companions, Routledge, pp. 607-615.
Underwood-Lee, E. (2017). Titillation. In A. Bleakley, L. Lynch, & G. Whelan (Eds.), Risk and Regulation at the Interface of the Arts and Medicine: Dangerous Currents (pp. 91-97). Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 91-97.
Ramsden, H, Milling, J & Simpson, R (2017) 'Understanding grassroots arts groups and practices in communities’. In A McCabe & J Phillimore (eds), Community Groups in Context: Local activities and actions. Third Sector Research Series, Policy Press, Bristol, UK.
Minier, M. (2016) ’Interdisciplinary Considerations about a Subgenre of the Contemporary Biographical Drama: Celebrity and Fandom in Recent Adaptations of Famous Lives for the Stage’ Critical Stages 12 (Special Topics: Adaptation, ed. by Patrice Pavis), 2015.
Smith, A. (2015) “’To experience a thing as beautiful”: the Photographic Practice of Howard Barker.’ In J. Reynolds and A. W. Smith (Eds.) Howard Barker’s Theatre: Wrestling With Catastrophe, London: Methuen.
Smith, A. (2015) ‘Staging Barker in America – Andy W. Smith in conversation with Cheryl Faraone and Richard Romagnoli’. In J. Reynolds and A. W. Smith (Eds.) Howard Barker’s Theatre: Wrestling With Catastrophe, London: Methuen.
Crews, S. (2015) ‘Barker from a Viewpoint: Staging Ursula: Fear of the Estuary’. In J. Reynolds and A. W. Smith (Eds.) Howard Barker’s Theatre: Wrestling With Catastrophe, London: Methuen.
Minier, M. (2014) ‘Uprooting Shakespeare: A Historical Survey of Early to Institutionalised Hungarian Shakespeare Translation’. In J. Bzochova-Wild (Ed.) In double trust: Shakespeare in Central Europe (Bratislava, Slovakia: VSMU, 2014, pp. 29-51).
Minier, M. (2014) ‘Definitions, Dyads, Triads and Other Points of Connection in Translation and Adaptation Discourse’. In K Krebs (Ed.) Translation and Adaptation in Theatre and Film. Routledge, pp. 13-35.
Ramsden, H. (2014), 'A Walk Around the Block: Creating Spaces for Everyday Encounters'. In T Shortell & E Brown (Eds.), Walking in the European City: Quotidian Mobility and Urban Ethnography. Ashgate Publishing, UK, pp. 225 - 243.
Sobol, D. J. (2019). Adaptive Occasions: Synchronic Correlatives in Traditional Folktale Adaptations. Journal of American Folklore, 132(525), 310-325. DOI: 10.5406/jamerfolk.132.issue-525.
Grainger, R., & Minier, M. (2019). A Paratextual Analysis of Nurturing Opera Audiences: Transmedia Practices, Interactivity and Historical Interpretation in the Welsh National Opera’s Promotion of the ‘Tudors Trilogy’. Participations: Journal of Audience and Reception Studies, 16(1), 1.
Crews, S., & Lennox, S. (2019). Boxing, Bourdieu and Butler: Repetitions of Change. Studies in Theatre and Performance.
Crews, S. & Papagiannouli, C. (2019). InstaStan - FaceBrook - Brecht+: A Performer Training Methodology for the Age of the Internet . Theatre, Dance and Performance Training, 10(2), 187-204. DOI: 10.1080/19443927.2019.1613260.
Gough, R. (2018). Performance Research: On Reflection-Turning 100, 23(4-5) - (WINNER OF TAPRA2019 EDITING PRIZE).
Gough, R. (2018)'Devouring Theatre: After Taste' in a Special Issue of Performance Research 'On Taste'' Performance Research, vol 22, no. 6.
Gough, R. (2018) 'Future Proof (With Courage & Curiosity): Training for a Theatre That Does Not Yet Exist' Polish Theatre Journal.
Sobol, D. J. (2018). Special Issue: Long-Form Storytelling. Storytelling, Self, Society, 14(1), 1-146. .
D'Arcy, G. (2018). Blood effects in Grand-Guignol and Horror Performance: making the right kind of splash. Horror Studies, 9(1), 21-37. DOI: 10.1386/host.9.1.21_1.
Minier, M. (2018). Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre. Textus: English Studies in Italy, 2018(2), 23-40. DOI: 10.7370/91005.
D'Arcy, G. (2017), 'Visibility brings with it responsibility': Using a Pragmatic Performance Approach to Explore a Political Philosophy of Technology Performance Philosophy, vol 3, no. 1, pp. 178-198. DOI: 10.21476/PP.2017.3139.
D'Arcy, G. (2017), 'From Page to Stage: Adapting Vermilion Sands' Foundation: The International review of science fiction, vol 128.
Minier, M. (2017), 'Questioning the 'of' in Performance-as-translation: Multimedia as a Subtext in the 2003 Pécs Performance ‘of’ Hamlet.' Multicultural Shakespeare - Translation, Appropriation and Performance, vol 16, no. 1. DOI: 10.1515/mstap-2017-0015, 10.1515/mstap-2017-0021.
Sobol, D.J. (2017), '"The Next Last of the Breed": Dynastic Succession and Resistance in an Appalachian Storytelling Clan' Journal of Appalachian Studies, vol 23, no. 2, pp. 206-220. DOI: 10.5406/jappastud.23.2.0206.
Underwood-Lee, E. & Šimić, L. (2017) 'Editorship, Editorial and Article in a Special Issue of Performance Research 'On the Maternal' Performance Research, vol 22, no. 4. DOI: 10.1080/13528165.2017.1374762, 10.1080/13528165.2017.1374641.
Lewis, L. & Sharma, A. (2016), 'Welsh and Khasi Cultural Dialogues: Transactions and translations' Performance Research, vol 21, no. 5, pp. 81-84. DOI: 10.1080/13528165.2016.1223455.
Dennis, R. & Lewis, L. (2016), 'Diderot’s body and cognitive science: sensation, impulse and action in performer training' Studies in Theatre and Performance, pp. 1-12. DOI: 10.1080/14682761.2016.1269510
Ramsden, H. (2016) ‘Walking & talking: making strange encounters within the familiar’ Social & Cultural Geograpy, 18(1), pp 53-77. DOI: 10.1080/14649365.2016.1174284.
Underwood-Lee, E. (2016) What the Body Commands: The Imperative Theory of Pain, reviewed by Emily Underwood-LeeCentre for Medical Humanities.
Underwood-Lee, E. (with Simic, L.) (2016) Motherhood and Live Art The Institute for the Art and Practice of Dissent at Home.
Minier, M (2015), 'Interdisciplinary Considerations about a Subgenre of the Contemporary Biographical Drama: Celebrity and Fandom in Recent Adaptations of Famous Lives for the Stage' Critical Stages/Scenes Critiques, no. 12.
Underwood-Lee, E. (2015) Bangers to Cancer: Social media, charity fundraising and objectification, Body Space Technology. Vol 14.
Underwood-Lee, E. (2015) The Naming of Cancer, reviewed by Emily Underwood-Lee Centre for Medical Humanities.
Underwood-Lee, E. (2015) Challenging Illness Narratives Through Writing Lapidus.
Wiblin, I. (2015), 'Photography, Performance, Ruin: Performing Photography in site of Architecture' Performance Research, vol 20, no. 3, pp. 126-134. DOI: 10.1080/13528165.2015.1049046.
Allinson, J. (2014), 'Training strategies for performance and landscape: resisting the late-capitalist metaphor of environment as consumable resource' Theatre, Dance and Performance Training, vol 5, no. 1, pp. 4-14. DOI: 10.1080/19443927.2014.881911.
D'Arcy, G. (2014), ‘Essentially, another man’s woman’: Information and Gender in the Novel and Adaptations of John le Carré’s Tinker Tailor Soldier Spy. Adaptation, vol 7, no. 3, pp. 275-290. DOI: 10.1093/adaptation/apu029.
Crews, S. (2014) 'If you cannot say it, point to it’: Part of the ‘Practice Makes Perfect’ Arts and Humanities in Higher Education Sage Journals.
Acaron, T. (2018). Movement decision-making in violence prevention and peace practices. Journal of Peace Education, 15(2), 191-215. DOI: 10.1080/17400201.2018.1463913
Acaron, T. (2017). 'Therapeutic Performance: When Private moves into Public'. In V. Karkou, S. Oliver, & S. Lycouris (Eds.), The Oxford Handbook of Dance and Wellbeing (pp. 219-238). Oxford University Press.
Acaron, T. (2016). Shape-in(g) Space: Body, Boundaries, and Violence. Space and Culture, 19(2), 139-149. DOI: 10.1177/1206331215623208
Acaron, T. (2015). Traversing distance and proximity: The integration of psychodrama and dance movement therapy techniques in supervision. Body, Movement and Dance in Psychotherapy, 11(1), 4-18. DOI: 10.1080/17432979.2015.1109550
Wiblin I. (with A. Kennedy) (2018) Four Parts of a Folding Screen.
Constantas, M. & Cowan, P. (2014) The Sleeping-Mat Ballad.
Crews, S (2014) Ursula: Fear of the Estuary.
Papagiannouli, C. (2014) The Etheatre Project and Collaborators.