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D'Arcy, G. (2018). Critical Approaches to TV and Film Set Design. Taylor & Francis.
Williams, R. (ed.) (2018) Transitions, Endings, and Resurrections in Fandom, University of Iowa Press.
McElroy, R. (ed.) (2016) Contemporary British TV Crime Drama, Ashgate.
Williams, R. (2015) Post-object Fandom: Television, Identity and Self-Narrative, London: Bloomsbury.
Perrins, D. (2019). 'The Cinema Has Two Tongues: The Cinema Cultures of Wales' . In J. Hill (Ed.), A Companion to British and Irish Cinema (pp. 510-531). (Wiley Blackwell Companions to National Cinema ). Oxford: Wiley-Blackwell.
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Williams, R. (2018). '"Fate has a habit of not letting us choose our own endings": Post-object fandom, social media and material culture at the end of Hannibal'. In P. Booth (Ed.), A Companion to Media Fandom and Fan Studies (pp. 447-460). [Chapter 28] Wiley-Blackwell.
Williams, R. (2017). 'Fan pilgrimage & tourism'. In M. Click, & S. Scott (Eds.), The Routledge Companion to Media Fandom (pp. 98-106). (Routledge Companions). London: Routledge.
Jachimiak, P. (2017). Poofs Wear Lacquer, Don't They, Eh? Quadrophenia and the Queerness of Mod Culture. In P. Thurschwell (Ed.), Quadrophenia and Mod(ern) Culture (Palgrave Studies in the History of Subcultures and Popular Music). Palgrave MacMillan.
McElroy, R. (2017), ‘The Feminization of Contemporary British Television Drama: Sally Wainwright and Red Production’. In Moseley, R., Wheatley, H. and Wood, H. (eds.) Television for Women: New Directions, Routledge.
Smith, A. and Orrillard, N. (2016) ‘Working with Actors: Learning – teaching – Learning’. In M. Mourao, S. Semerdjiev, C. Mello, & A. Taylor (eds) 21st Century Film, Television and Media School: Challenges, Clashes, Changes, Centre International de Liaison des Ecoles de Cinéma et de Télévision (CILECT).
Williams, R. and R. McElroy (2016) ‘Omnisexuality And The City: Exploring national and sexual identity in BBC Wales’ Torchwood’. In H. Osborne (ed.) Queer Wales:The History, Culture and Politics of Queer Life in Wales, Lampeter: University of Wales Press.
Williams, R. (2016) '“We live round here too”: Representing fandom and local celebrity in Pulp: A Film About Life, Death & Supermarkets'. In L. Bennett and P. Booth (ed.) Seeing Fans: Representations of Fandom in Media and Popular Culture, London: Bloomsbury Academic.
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Williams, R. (2015) ‘“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise’. In M. Duffett (ed.) Fan Identities and Practices: Dedicated to Music, London: Routledge. [Reprint of journal article].
Williams, R. (2014) ‘Neighbours’. In B. Griffen-Foley (ed.) A Companion to the Australian Media, Australian Scholarly Publishing.
Perrins, D. (2014). ‘You never knew that, that I could do that’: Bowie, video art and the search for Potsdammer Platz. In T. Cinque, C. Moore, & S. Redmond (Eds.), Enchanting David Bowie: Space/Time/Body/Memory (1st ed.). Bloomsbury Press.
McElroy, R., Nielsen, J. I., & Noonan, C. (2018). Small is beautiful? The salience of scale and power to three European cultures of TV Production. Critical Studies in Television, 13(2), 169-187. DOI: 10.1177/1749602018763566.
Williams, R. (2018). Tumblr’s GIF culture and the infinite image: Lone fandom, ruptures and ‘working through’ on a microblogging platform. Transformative Works and Cultures, 27 (Tumblr and Fandom ). DOI: 10.3983/twc.2018.1153.
McElroy, R. with Papagiannouli, C. & Wiliam, H. (2017) Broadcasting after devolution: policy and critique in the Welsh media landscape 2008–2015, International Journal of Cultural Policy, DOI 10.1080/10286632.2016.1268133v.
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Cowan, P. (2017). Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor: A Case Study of Gregg Toland. Projections: The Journal for Movies and the Mind, 11(1), 16-37. DOI: 10.3167/proj.2017.110103
Mitchell, P., & Stewart, J. (2017). Who are We? Language and impartiality in BBC radio journalism. Journalism Practice, 11(4), 417-437. DOI: 10.1080/17512786.2015.1123111
Williams, R. (2016) 'No Lynch, No Peaks!’ Authorship, fan/actor campaigns and the challenges of Twin Peaks’ return Series, International Journal of TV Serial Narratives, 2 (2), pp. 55-65.
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Williams, R. (2014) The past isn’t dead…it’s deadly”: Horror, history and locale in ITV1’s Whitechapel, Journal of British Cinema and Television, 11 (1): 68-85.
Ben Challis, Geraint D’Arcy, Robert Dean, Richard Hand, Rob Smith & Mary Traynor (2014) 'Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience’, Studies in Theatre and Performance 34(3): 252-259.
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